40th Anniversary DJ sets, covering a spectrum
of dance music genres from Unique 3’s Edzy with Boywonder, founder
member of Leeds Duo, Nightmares On Wax, original Leeds DJ MixMaster
Pedro, Anton Raphael, Mutant Movement and DJ Lightfinger.
1983 was the year where dance music ruled with Leeds Warehouse’s
label releasing Shannon’s Let The Music Play and New York acts like
Hashim, Afrika Bambaataa, Man Parrish, Whodini, Newcleus and producer,
Arthur Baker breaking through with their Electro sound. Baker also
worked with British Acts Freeez and New Order, forging a new path for
the indie giants and the Brits had their part in the emerging Hi-NRG
scene with the likes of Divine, Hazel Dean, Patrick Cowley, Sylvester
and Pet Shop Boys producer Bobby Orlando.
The Belleville Three, Juan Atkins (Model 500), Derrick May (Rhythim
Is Rhythim) and Kevin Sauderson (Inner City) are credited with
inventing the Detroit Techno genre, their origins lay in the early 80s.
Atkins released the Haçienda Anthem, Clear with Cybotron in 1983, taking
inspiration from European ‘Techno’ which has roots in the original
electronic sound from pioneers, Kraftwerk, followed by The Human League,
Fad Gadget, Throbbing Gristle, Cabaret Voltaire, D.A.F., Liaisons
Dangereuses and Mute Records’ Daniel Miller as well as Japanese
originators of the genre, Yellow Magic Orchestra.
Funk, Soul, Freestyle & Hip Hop packed dancefloors throughout
the 80s with Grandmaster Flash gaining more recognition, continuing to
release records as well as DJing, spreading turntablism to the world
with his scratching, along with other pioneers of the art form including
Liverpool’s Greg Wilson, best known for his work at Manchester’s
Haçienda, recently playing a DJ set at the club’s 40th Birthday compiled
from tunes released the year the club opened, 1982 but were still very
much current in 1983, watch out for some of those at this night.
Run DMC’s debut It’s Like That, before Jason Nevins got his mitts
on it, came out in ’83 b/w Sucker M.C.s and Hip Hop was really taking
the world by storm, even the likes of Sex Pistols manager, Malcolm
McLaren saw a way to cash in on it with his landmark album Duck Rock.
All this was lapped up on dancefloors and even streets with the
developing dance crazes, breaking, also called breakdancing or b-boying
with body popping and the robot/robotics going hand in hand.
François Kevorkian and Shep Pettibone were busy remixing everything
from Time Zone’s Wildstyle and Tour De France by Kraftwerk to Loleatta
Holloway’s Love Sensation and Let No Man Put Asunder by First Choice.
Jellybean was also remixing whilst DJing at New York’s Funhouse, Studio
54 and Paradise Garage with Larry Levan who was remixing tunes like
Weekend by Class Action. In Chicago, Frankie Knuckles had left The
Warehouse to open the Power Plant, allowing Ron Hardy to take over. In
the UK, Tony Prince founded DMC, starting first with cassettes, then
began issuing on vinyl the following year.
This night is part of a series of Anniversary events from
1.21gigawatts, celebrating the dance music of years gone by when it was
all fresh but is now considered oldskool, whether you were around at the
time and want to remember those days or weren’t even born at such an
exciting time for dance music, come along and check out the skills and
tunes from these top DJs, dance, listen, drink and party like it’s 1983.