Creative Health & Wellbeing Day

Creative health has never had more visibility, in policy, in the press, and across health and cultural sectors nationally, yet not everyone agrees on what it means, or even uses the term at all. 

The Music Works' Creative Health & Wellbeing Day brings practitioners, commissioners, policymakers and young people together to explore that tension directly: whether creative health needs a shared definition, why access to creative opportunity is still so unequal, and what it takes to sustain wellbeing outcomes once a formal intervention ends. 

Across three panel discussions and live performance, expect honest debate, real practice, and young people's voices throughout. For anyone working in or interested in creative health, youth work, health and social care, or cultural policy, and for young people who want a say in how these spaces are shaped.

Panellists, performers and creative workshop leaders will be announced soon.

Panel 1

What is creative health, anyway?

Creative health means something different depending on who's using it, a clinical pathway, a public health strategy, a community programme, a policy priority, and some organisations doing this work don't use the term at all, despite having real evidence of impact. This panel asks whether a shared definition helps a fractured sector speak with one voice, or risks overlooking meaningful, evidenced work that was never designed to fit inside it.

Panel 2

The doors creativity opens: access, support and health inequality

The same barriers that block access to creative opportunity, poverty, disability, exclusion, are also the strongest predictors of poor health outcomes, so closing that gap isn't just about fairness, it's a creative health question in its own right. Speakers will discuss what genuine access looks like in practice, and why creativity can offer a route into support that formal services often can't.

Panel 3

Beyond the intervention: creative hubs and long-term change

Interventions are often measured by what changes while they're running. This panel explores what practitioners and young people actually see happen once a programme ends, and whether hub models, offering ongoing connection, progression and creative community, could build more durable wellbeing outcomes than a single intervention alone, and what that suggests about how we choose to invest in young people.

A complimentary lunch and refreshments will be provided. We look forward to welcoming you to The Music Works!

If you would like to book more than 4+ tickets please get in touch with creativefutures@themusicworks.org.uk

Getting here

Address:

The Music Works – Gloucester Hub,

2nd Floor Kings House,

27 St Aldate Street,

Gloucester,

GL1 1RP

What3words: stores.toys.times

By train: Gloucester Railway Station is a five minute walk from the Hub. Exit the station, cross the main road towards the transport hub, walk through it, turn right into Kings Square, and continue straight ahead, The Music Works Hub entrance is on your right. Train times and tickets can be found via GWR.

By bus: Gloucester's main bus station is a two minute walk from the Hub, with regular services across the city and from surrounding towns including Tewkesbury. Exit through the transport hub, turn right into Kings Square, and continue straight ahead, the Hub entrance is on your right. Bus times can be found Stagecoach.

By car: There's no official drop off point, but a turning point on St Aldate Street sits around 50 feet from the entrance. The nearest car park is Kings Walk Car Park, two minute's walk away, with 12 blue badge bays and payment by cash, phone, online or app. Current charges via Gloucester City Council.

By bike: Racks are available in Kings Square, around 10 metres from the building.

Accessibility at the Hub

The Music Works - Gloucester Hub is built to welcome everyone. It includes:

• A lift to the second floor and step-free access throughout

• A Space for Change accessible toilet with winch and changing bed

• An accessible stage and powered doors

• A sensory room with vibroacoustic equipment which will be used as a quiet space during the evening

• Adjustable lighting for sensory sensitivities in every studio

• A range of instruments and interfaces for those who can't access standard equipment

• Hearing loop

If there's anything else we can do to help you feel comfortable on the night, just let us know.